Chant Update From Oregon Catholic Press

September 13, 2007

We received this note from Oregon Catholic Press recently:

Regarding your post at this URL

we have many more recordings that may be of interest to you. Although it is true that the Laus Tibi, Christe supplement to the hymnals is not discounted to stores, the accompaniment book for it is. You can find it on page 35 of our new catalog. You can also find the Liber Cantualis, the Liber Hymnarius, the Graduale Triplex, the Gregorian Missal, the Graduale Romanum, and the Graduale Simplex on page 37. We have a new resource on page 40 in chant style called “Hear the Prayers that Rise”. You will find chant for the Liturgy of the Hours in Lord, Open My Lips by Fr Cyprian Consiglio from the Benedictine Monastery of New Camoldoli on page 57, Fr Tobias Colgan’s Gentle Shepherd on page 56-(Fr Tobias is at St Meinrad Archabbey). Bob Hurd’s Missa Ubi Caritas, on page 62 is based on the Gregorian Ubi Caritas and Fr Columba Kelly’s Passion of Our Lord Jesus Christ according to _John is also done in chant style. You might also want to check out the Taize chant recordings on page 72. On the same page as O Lux Beatissima, you’ll also find O Day of Resurrection from New Camoldoli, two cds from the Solesmes, and one from the Gloria Dei Cantores Schola.

As you browse our catalog, you will see items marked with a # sign in front of the item number, which indicates a short discount to stores or a (net) after the item number, which indicates that there is no discount. Most of our business is done directly with churches, but we do work well with retailers throughout the world.

So there you have it. In a catalog of hundreds of items, about a dozen are done in a classical chant style. I’m not sure I would have bothered to mount the defense when that’s all one can say.

GIA and Oregon Catholic Press – Treasurehouses of Catholic Musical Heritage

April 28, 2006

As most people are aware, there are two main sources of music for Catholic liturgical services these days. The first is Oregon Catholic Press. The second is GIA.

Oregon Catholic Press has created a hymnal industry that has been analyzed in the past by Crisis magazine.

Several months ago they sent our store a wonderful CD called O Lux Beatissima which contains many basic chants that would be perfect for a parish to learn. The accompanying letter said that they sent us the CD as a sample of their selection because it seemed like we had a focus on chant (we do) and wanted to do business with us. After listening to the CD I called OCP and asked what other items they had that we would be interested in:

“Well, we have a chant supplement to our Breaking Bread(tm) missalette.”


“That’s it.”

“But you just sent me a letter saying that the CD was a sample of your selection that would interest us.”

“Well, we have this great chant supplement for parish use.”

“Right, you told me about it. What kind of a discount do we get as a store if we carry this supplement?”

“Well, we don’t actually give discounts to stores on it.”


GIA also has a commitment to preserving our Catholic musical heritage. Their catalog is 168 pages long and is chock full of old standards such as Haagen and Daas. No wait, that’s ice cream. Anyway, not to be out done by OCP, GIA has EIGHT PAGES dedicated to chant and polyphony resources. While we are certainly grateful that they import the Solesmes chant books, it would seem that the 1,960+ years of pre-Vatican II musical heritage deserve a little more space than eight pages between the two largest “Catholic” music publishers in the country.

The saddest part about this is that many years ago, GIA used to have another name – The Gregorian Institute of America and OCP used to be the Oregon Catholic Truth Society. Catholic music sure has come a long way when a Catholic publisher thinks that GIA is a more appropriate name for their company. And no, GIA isn’t an acronym. From their website:

“Of course, we haven’t abandoned our roots…GIA (originally the Gregorian Institute of America) still offers more Gregorian chant resources than anyone, including the highly respected Solesmes editions!”

When your roots are so tenuously attached, it is a very difficult thing to stay rooted.

Some Further Resources on the liturgical music situation:

Buried Treasure (from Adoremus)

The Hidden Hand Behind Bad Catholic Music (Crisis)

If you want to know what the current Pope and the Church has to say about liturgical music:

General Instruction of the Roman Missal

A New Song for the Lord

Spirit of the Liturgy

Sacrosanctum Concilium (Vatican II) (Not in print anymore)

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